Video Production

I decided to add a couple videos I’ve goofed around with. These are more me having fun with video, rather than a professional undertaking.


Iron Cowboy

Rodeo has got to be one of my favorite sports to shoot and there is no rodeo event more hyped up than bullriding. It’s fast, and dangerous and not unlike NASCAR, the fans are watching for the big wrecks. I shot PBR’s Iron Cowboy event Saturday at AT&T Stadium. It was amazing and fun. If you’re wondering about the technical feats behind shooting rodeo, it can vary widely depending on the venue. Most rodeo arenas are old and the lighting is just good enough to not trip over small dogs and children. Since the bulls are always at the end of the night, this event can be very tricky to shoot. You need fast glass, and a high ISO and even then you will have a hard time. However at AT&T, I might as well have been shooting in the daytime.

Outdoor concert and instant film

I was shooting a concert in Fort Wort at a bar called the Flaying Saucer (if  you’ve never heard of it, I’d say put it on your list of musts) and I decided it was a great time to pull out my RB67. I know I’ve posted quite a bit about this camera, but damnit I love it. I’ve been shooting digital for nearly a decade and I’ve come to a point in my career where I can slow down a bit. Digital photography is great. I would not be the same photographer without it — not even close.

However, digital cameras feel so clinical — cold, I guess. These machines have no soul, no personality — it’s very “what you see is what you get.” None of this is completely negative. In the pursuit of control, which should occupy all photographers chasing light, a camera should perform in that way. It should be mechanical, reliable, and cold.

What I get from my film camera is something different. It’s heavy, it’s limited and it’s manual focus. On top of all that, I love shooting instant film, so there is another complication. Instant film isn’t as easy to work with and get amazing results, but what you get can be great even if it isn’t perfect. Think about this: all the instagram, VSCO, and other nostalgia filters out there are just trying to artificially recreate what I’m getting right out of the camera.

I’m not in the business of pursuing perfection. I’ll let someone else have that headache. I’m more interested in being satisfied with what I’m producing. Sometimes that means getting in there and pushing work out so I can pay bills. Other times, it means smiling and realizing I’m truly enjoying what I’m doing. Perfection doesn’t really do it for me. First, nothing is ever perfect so there is a major cost benefit ratio when it comes to how much a project is worth vs. how much your time is worth. Second, seeking perfection is mind numbing and not at all satisfying — at least not for me. I’d rather produce work that I love.

Below are some shots taken with an RB67, Fuji’s FP-3000b and and FP-100c instant film. Some are double exposure and others are just straight concert shots.





I started taking photo of people affected by autism while still in college.  I’ve kept delving into the story and interviewing more people over the past six years. I’m drawn to autism because I see bits and pieces of myself in these children. I see the, patterns, social awkwardness, the obsession with routines and many other qualities. The story has led me to discoveries within my own family. I never knew I had anyone affected by autism in my life.